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Miles Davis – From Bebop to Hip Hop. The Fifties

Tonality, which began in Europe, challenges the Second Viennese School of Schöenberg, Webern and Berg, again strongly reinforces the American pop music, while tonal feeling of jazz already with bebop elements (chromaticisms, bitonality, seconds, expansion of forms and structures) were in crisis and it started in the 50s its own way; a path that indicates […]

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Posted in: Musicologica 1/2016, Rock Pop Jazz | Author: | E-mail

The Value of the Traditional and the Progressive in Jazz Development

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

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Posted in: Musicologica 1/2013, Rock Pop Jazz | Author: | E-mail | Website

The Value of the Traditional and the Progressive in Jazz Development

Recently, two important syntheses on European jazz have been published: Eurojazzland:Jazz and European Sources, Dynamics, and Contexts by Luca Cerchiari, Laurent Cugny and Franz Kerschbaumer (2012); and Jazz behind the Iron Curtain by Gertrud Pickhan and Rüdiger Ritter (2009). The publications show the division of European jazz scenes between east and west, and they also […]

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Posted in: Musicologica 1/2014, Rock Pop Jazz | Author: | E-mail | Website