The study traces the differences in the two possible forms of interpreting the character of the Evangelist in a scenic
Perspectives of the Reconstruction of the Cithara Sanctorum (1636) and of Editing Georgius Tranoscius’ Hymns
The anniversary of the Reformation brought about several editorial projects in 2017, which made several sources connected to this significant
Samuel Capricorn’s Scelta Musicale: the Methodological and Editorial Problems in Preparing its Urtext Edition
The posthumously published collection of eight sacred motets for solo voice and one or two instruments did not get preserved
Double-Choir Music by Matthäus Apelles von Löwenstern (1594-1648): Differences between Compositions Preserved in the Sammlung Bohn and the Levoča Music Collection
The compositions for double choir by the Silesian composer Matthäus Apelles von Löwenstern (1594 – 1648) were preserved in primary
Distribution Routes of Philippe de Monte’s and Jacob Regnart’s Oeuvre in the Territory of Present-day Slovakia in the 16th and the 17th Century
The study focuses on the reception of the oeuvre of two important musicians of the High Renaissance, namely Philippe de
Melomani and the Yosuke Yamashita Trio
This essay discusses the Melomani and the Yosuke Yamashita Trio from a historical point of view: the repression by the
Jazz in the Heart of Europe
Until 1989, the region of Central Europe was closed due to ideological reasons, and was divided into the musical culture
Michelle Gurevich’s Music as an Interface between the East and the West
The analysis of Gurevich’s music is an attempt to upgrade, or expand, the theme of correlation between the East and
Dobro as the Cultural Heritage of the Slovaks
Although dobro, a resophonic guitar, originated in the US, without its genial developer called Ján Dopjera (John Dopyera as the
On the Slovak Rock Songs’ Lyrics
In recent years, the quality of the contemporary songs’ lyrics has been affected by the massive pop culture influence predominantly
New Faces of Slovak Jazz
New faces of Slovak jazz is a competition of amateur jazz bands in Slovakia. The competition was formed in 1986
Scott Walker, Postmodern Tendencies of His Poetics and Works
The author is dealing with six key words tied with a topic, which demonstrates indisputable importance of Scott Walker for world
Entertaining Music in Bratislava until 1938
At the end of the 19th century and at the beginning of the 20th century, Bratislava has been multicultural small
Miles Davis – From Bebop to Hip Hop. The Fifties
Tonality, which began in Europe, challenges the Second Viennese School of Schöenberg, Webern and Berg, again strongly reinforces the American
Editorial 2/2015
Sorry, this entry is only available in Slovak. Abstracts are available in English.
Searching for Opera’s raison d’être: a Life Story of the “undead” Artistic Genre in Bratislava
Sorry, this entry is only available in Slovak. Abstracts are available in English.
Fulfilling Tasks or Artistic Autonomy? Stage Dance in Vienna, Bratislava and Brno
Sorry, this entry is only available in Slovak. Abstracts are available in English.
The Dramaturgy of Oskar Nedbal and its Starting Points
Sorry, this entry is only available in Slovak. Abstracts are available in English.
The Origination of the Slovak National Theatre: Building, Ensemble, and City Paradoxes
Sorry, this entry is only available in Slovak. Abstracts are available in English.
Entertainment in Central Europe: The System of Roles as a Means to Standardization in Popular Musical Theater
Sorry, this entry is only available in Slovak. Abstracts are available in English.