hudobný štýl

The authors of the contribution deal with new approaches to the performance of traditional Afro-American spirituals. The basic differences between the older and more recent sacred music of Afro-American realm which they endeavour to reveal reside in the relation between traditional spirituals and gospel music. Two spirituals are chosen, studied and analyzed in their new versions: Amazing Grace and No More Auction Block. An individual approach of the artists (Chris Tomlin: Amazing Grace, Katka Sliacka: Song for Noemi) is taken into consideration, and on the basis of the given criteria their relation to the original is assessed. The adaptation of the original material of spirituals ranges from restoration, conservation of the original melody and preservation of authenticity to various innovative transformations of the original. Identified significant features, transformations, and new elements demonstrate the expansion and popularity of spirituals not only in America but also in Europe.