Gender Studies: Women in Opera and Operetta Ensembles of the Municipal Theatre in Bratislava (1886–1920) This study surveys the performing of female opera/operetta singers in the Municipal Theatre in Bratislava in the period of 1886–1920 and the premiere of the opera Tamaro (1907), composed by Bratislava composer and countess Alexandrine Esterházy-Rossi, in the context of […]