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Author: Luca Cerchiari

The “French tinge”. Jazz and its Paris-New Orleans connection

Luca Cerchiari Musicologica 1/2021, Rock Pop JazzFriday October 1st, 2021, 20:36 Comments Off on The “French tinge”. Jazz and its Paris-New Orleans connection

In recent years, musicological research proved how relevant have been, besides African sources, the European roots of jazz. These can

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Hugues Panassié to Joachim Berendt: the critic as “artist”. Aesthetic debates, self-promotion and marketing strategies

Luca Cerchiari Musicologica 1/2020Tuesday October 13th, 2020, 16:46 Comments Off on Hugues Panassié to Joachim Berendt: the critic as “artist”. Aesthetic debates, self-promotion and marketing strategies

The author deals with the emergence of jazz criticism in the early 1920s and 1930s in France, the USA, Italy,

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Scott Joplin’s Treemonisha (1911), the “first” black opera. A new ethnoanthropological and musicological analysis

Luca Cerchiari Musicologica 1/2018, Rock Pop JazzSunday October 21st, 2018, 16:21 Comments Off on Scott Joplin’s Treemonisha (1911), the “first” black opera. A new ethnoanthropological and musicological analysis

More than one century after its birth and its unlucky efforts to stage it properly, Scott Joplin’s complex and beautiful

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Miles Davis – From Bebop to Hip Hop. The Fifties

Luca Cerchiari Musicologica 1/2016, Rock Pop JazzTuesday April 11th, 2017, 19:52 Comments Off on Miles Davis – From Bebop to Hip Hop. The Fifties

Tonality, which began in Europe, challenges the Second Viennese School of Schöenberg, Webern and Berg, again strongly reinforces the American

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Current issue:

  • Musicologica 1/2025

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Supported by VEGA 1/0728/11 to 2014 and VEGA 1/0086/15 from 2015 and VEGA 1/0015/19 from 2019 |
Department of Musicology Faculty of Arts Comenius University © 2025   |   ISSN 1337-9070
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