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K otázke rodových štúdií: Ženy v opernej a operetnej prevádzke bratislavského Mestského divadla (1886–1920)*

Gender Studies: Women in Opera and Operetta Ensembles of the Municipal Theatre in Bratislava (1886–1920) This study surveys the performing of female opera/operetta singers in the Municipal Theatre in Bratislava in the period of 1886–1920 and the premiere of the opera Tamaro (1907), composed by Bratislava composer and countess Alexandrine Esterházy-Rossi, in the context of […]

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Publikované: Hudobné divadlo, Musicologica 2/2015 | Autor: | E-mail