opereta

Zábava v strednej Európe. Systém hereckých odborov ako prax a štandardizácia populárneho hudobného divadla

Entertainment in Central Europe: The System of Roles as a Means to Standardization in Popular Musical Theater Operetta was, with respect to the quantity of production and reception, the most important genre in central European theater of the late 19th and early 20th centuries. The prerequisite for the mass production of operetta was a wide-reaching […]

Kľúčové slová: , , , ,

Publikované: Hudobné divadlo, Musicologica 2/2015 | Autor: | E-mail

Zrod Slovenského národného divadla: Paradoxy budovy, divadla, mesta

The Origination of the Slovak National Theatre: Building, Ensemble, and City Paradoxes This essay focuses on the relations of German, Hungarian, Czech and Slovak theatres in the joint theatre building. Using music as a language, Oskar Nedbal, the theatre director in the period 1923–1930, bridged the nationalist rivalry; Karel Nedbal, together with the stage director […]

Kľúčové slová: , , , ,

Publikované: Hudobné divadlo, Musicologica 2/2015 | Autor: | E-mail