Market Segmentation of the Sacred Music as a Result of the Separation of Sacred and Profane Environment

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Music Systematics, Musicologica 1/2008, Rock Pop Jazz | Key words: , , , , |

The Value of the Traditional and the Progressive in Jazz Development

Recently, two important syntheses on European jazz have been published: Eurojazzland:Jazz and European Sources, Dynamics, and Contexts by Luca Cerchiari, Laurent Cugny and Franz Kerschbaumer (2012); and Jazz behind the Iron Curtain by Gertrud Pickhan and Rüdiger Ritter (2009). The publications show the division of European jazz scenes between east and west, and they also […]

Posted in: Musicologica 1/2014, Rock Pop Jazz | Key words: , , , , , , , |

Dobro as the Cultural Heritage of the Slovaks

Although dobro, a resophonic guitar, originated in the US, without its genial developer called Ján Dopjera (John Dopyera as the English version of his name), who came from Slovakia, the Americans would not have been able to call it their own and add it to their cultural heritage. The dobro guitar does not belong only […]

Posted in: Musicologica 1/2017, Rock Pop Jazz | Key words: , , , , , , |

Entertaining Music in Bratislava until 1938

At the end of the 19th century and at the beginning of the 20th century, Bratislava has been multicultural small city, which was gradually taking over many features of a big city entertaimnet up until 1938. Hungarian, German and Slovak music culture has been overlapped, but also cultures of other nations penetrated to the music […]

Posted in: Musicologica 1/2016, Rock Pop Jazz | Key words: , , , |

Individualists, traditionalists, revolutionarists or opportunists?

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Musicologica 1/2010, Rock Pop Jazz |

Global and Local Musical Culture

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Traditional Music, Musicologica 1/2009 |

Michelle Gurevich’s Music as an Interface between the East and the West

The analysis of Gurevich’s music is an attempt to upgrade, or expand, the theme of correlation between the East and the West. The relationship, or the juxtaposition, between Western and Eastern societies in this paper is redefined more precisely through the valuation and the popularity of Western musicians from the indie music scene in former […]

Posted in: Musicologica 1/2017, Rock Pop Jazz | Key words: , , , |

Transformations of Spirituals Today

Posted in: Musicologica 2/2012 | Key words: , , , , , , |

Wrote about us

Posted in: Conference: European Jazz Personalities |

Jazz Inspirations in the 20th Century Classical Slovak Music – the Music of Alexander Moyzes and His Successors

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Musicologica 1/2013, Rock Pop Jazz | Key words: , , , , , , |

Some Remarks on the Study of the Repertoire of (not only) National Theatres

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Music Theatre, Musicologica 2/2015 | Key words: , , , , |

Educational music programmes and function of the presenter

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Music Systematics, Musicologica 1/2012 | Key words: , , , |

Community Foundations in Slovakia

Pokúšame sa opísať činnosť komunitných nadácií na Slovensku a zdôvodniť ich význam pre fundraisingovú prax v oblasti kultúry. Komunitné nadácie boli, sú a budú neodmysliteľnou súčasťou života lokálnych komunít na celom svete. Naším cieľom  je okrem zdôrazniť potrebu zaoberať sa rolami a funkciami komunitných nadácií v oveľa vyššej miere. Ďalej sa venujeme vybranému nástroju komunitných […]

Posted in: Music Systematics, Musicologica 1/2008 |

Jazz immigrants in Czechoslovak Socialist Republic

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Musicologica 1/2010, Rock Pop Jazz |

Between Cultural Alternative and Protest. On the Social Function of Jazz after 1945 in Central Europe (GDR, Poland, Hungary, CSSR)

The author deals with the meaning of the term “protest“during communism in Central European countries: GDR, Poland, Hungary and CSSR. The protest against authoritative regime has been manifested in different forms: from open form of resistance to all forms of internal opposition. The word “protest“ had hybrid character especially in jazz in these four Central […]

Posted in: Musicologica 1/2011, Rock Pop Jazz | Key words: , , , , , , |

Transformations of music club institution using the example of Olomouc popular music scene before 1989

The study shows the development of the institution of popular music club and club culture in the micro-area of Central-Moravian city of Olomouc during the forties to the eighties of the twentieth century. Organizational, social, artistic, cultural-political and general cultural aspects are reflected. Attention is paid to the origins of the club scene in the […]

Posted in: Musicologica 1/2015, Rock Pop Jazz | Key words: , , , , |

Willis Conover – An European Jazz Personality?

Willis Conover’s character was all but European. In fact, he was strongly American, a radio broadcaster who devoted himself to the dissemination of American jazz. Through his broadcasts, he helped to create and shape European jazz in a subtle, but nevertheless very effective way. Because of Conover’s unique position as a broadcaster, especially in the […]

Posted in: Musicologica 1/2014, Rock Pop Jazz | Key words: , , , , , , |

Scott Walker, Postmodern Tendencies of His Poetics and Works

The author is dealing with six key words tied with a topic, which demonstrates indisputable importance of Scott Walker for world of music. One of them is conceptualism in the aesthetics of rock music as well as function and interaction of such terms as the relationship of the composer and the work, intertextuality, intersections of pop […]

Posted in: Musicologica 1/2016, Rock Pop Jazz | Key words: , , , , , |

Fly Me to the Moon “in Other Words”: Diana Krall, Nat King Cole and Frank Sinatra

For listeners, jazz singers are the most admired instrumentalists even though their place in jazz history has been largely overlooked in the literature on jazz.  Billie Holiday, Sarah Vaughan, Ella Fitzgerald, Diana Krall, Louis Armstrong, Nat King Cole, Frank Sinatra and Michael Bublé are amongst the hundred greatest jazz vocalists; however, their role in jazz […]

Posted in: Musicologica 1/2014, Rock Pop Jazz | Key words: , , , , |

Gabriel Jonáš, Slovak Jazz Pianist

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Musicologica 1/2013, Rock Pop Jazz | Key words: , , , , |