Market Segmentation of the Sacred Music as a Result of the Separation of Sacred and Profane Environment

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Music Systematics, Musicologica 1/2008, Rock Pop Jazz | Key words: , , , , |

The Value of the Traditional and the Progressive in Jazz Development

Recently, two important syntheses on European jazz have been published: Eurojazzland:Jazz and European Sources, Dynamics, and Contexts by Luca Cerchiari, Laurent Cugny and Franz Kerschbaumer (2012); and Jazz behind the Iron Curtain by Gertrud Pickhan and Rüdiger Ritter (2009). The publications show the division of European jazz scenes between east and west, and they also […]

Posted in: Musicologica 1/2014, Rock Pop Jazz | Key words: , , , , , , , |

The Value of the Traditional and the Progressive in Jazz Development

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Musicologica 1/2013, Rock Pop Jazz | Key words: , , , , , , , |

Flamenco Reflection in Slovakia

Posted in: Musicologica 2/2012 | Key words: , , , , , , |

Scott Joplin’s Treemonisha (1911), the “first” black opera. A new ethnoanthropological and musicological analysis

More than one century after its birth and its unlucky efforts to stage it properly, Scott Joplin’s complex and beautiful opera Treemonisha calls for a new, interdisciplinary critical analysis. African-American music needs to be viewed not only as a synthesis of oral and written sources, but also in light of how popular music and the […]

Posted in: Musicologica 1/2018, Rock Pop Jazz | Key words: , , , |

Video and photogallery

Video Photogallery – Jazz Conference 2013

Posted in: Conference: European Jazz Personalities |

Dobro as the Cultural Heritage of the Slovaks

Although dobro, a resophonic guitar, originated in the US, without its genial developer called Ján Dopjera (John Dopyera as the English version of his name), who came from Slovakia, the Americans would not have been able to call it their own and add it to their cultural heritage. The dobro guitar does not belong only […]

Posted in: Musicologica 1/2017, Rock Pop Jazz | Key words: , , , , , , |

Folk ensemble music in Slovakia. Historical and typological stratification presentation

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Traditional Music, Musicologica 1/2009 |

Individualists, traditionalists, revolutionarists or opportunists?

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Musicologica 1/2010, Rock Pop Jazz |

Theater – City – Space: Urban Communication Structures in Central Europe

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Music Theatre, Musicologica 2/2015 | Key words: , , , |

Editorial 1/2011

Dear Readers, We are offering you the 4th publication, latest issue, of Musicologica Journal with more attractive graphical design and with a new domain. In this issue we will continue with the research on jazz, rock and the cultural – political events in communist era. More detailed research has been focused on the oldest genre […]

Posted in: Musicologica 1/2011 |

Entertaining Music in Bratislava until 1938

At the end of the 19th century and at the beginning of the 20th century, Bratislava has been multicultural small city, which was gradually taking over many features of a big city entertaimnet up until 1938. Hungarian, German and Slovak music culture has been overlapped, but also cultures of other nations penetrated to the music […]

Posted in: Musicologica 1/2016, Rock Pop Jazz | Key words: , , , |

Punk and New Wave in Czechoslovakia, Yugoslavia and Poland

During emerging punk and new wave in former socialist countries possibilities of musicians varied immensely. Differences among musicians were associated with distinctive cultural and political climate in particular countries in the period from 1977 to 1989. While musicians in Yugoslavia and Poland were able to protect their artistic freedom, Czechoslovak rock musicians kept their underground position; participating at the club scene or moving to pop music. Radical attitude in underground helped to create Czech alternative scene […]

Posted in: Musicologica 1/2015, Rock Pop Jazz | Key words: , , , , |

Transformations of music club institution using the example of Olomouc popular music scene before 1989

The study shows the development of the institution of popular music club and club culture in the micro-area of Central-Moravian city of Olomouc during the forties to the eighties of the twentieth century. Organizational, social, artistic, cultural-political and general cultural aspects are reflected. Attention is paid to the origins of the club scene in the […]

Posted in: Musicologica 1/2015, Rock Pop Jazz | Key words: , , , , |

Scott Walker, Postmodern Tendencies of His Poetics and Works

The author is dealing with six key words tied with a topic, which demonstrates indisputable importance of Scott Walker for world of music. One of them is conceptualism in the aesthetics of rock music as well as function and interaction of such terms as the relationship of the composer and the work, intertextuality, intersections of pop […]

Posted in: Musicologica 1/2016, Rock Pop Jazz | Key words: , , , , , |

Michelle Gurevich’s Music as an Interface between the East and the West

The analysis of Gurevich’s music is an attempt to upgrade, or expand, the theme of correlation between the East and the West. The relationship, or the juxtaposition, between Western and Eastern societies in this paper is redefined more precisely through the valuation and the popularity of Western musicians from the indie music scene in former […]

Posted in: Musicologica 1/2017, Rock Pop Jazz | Key words: , , , |

American and world jazz scene after 2000

Before the beginning of the new millenium, over the past three decades, jazz has been undergone major changes in the development. From the 70s we can see the fragmentation of jazz and the birth of many polystyle music formations. Jazz has become more open to other genres and has begun to create so called jazz […]

Posted in: Musicologica 1/2018, Rock Pop Jazz | Key words: , , , , , |

Jazz Inspirations in the 20th Century Classical Slovak Music – the Music of Alexander Moyzes and His Successors

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Musicologica 1/2013, Rock Pop Jazz | Key words: , , , , , , |

Between Cultural Alternative and Protest. On the Social Function of Jazz after 1945 in Central Europe (GDR, Poland, Hungary, CSSR)

The author deals with the meaning of the term “protest“during communism in Central European countries: GDR, Poland, Hungary and CSSR. The protest against authoritative regime has been manifested in different forms: from open form of resistance to all forms of internal opposition. The word “protest“ had hybrid character especially in jazz in these four Central […]

Posted in: Musicologica 1/2011, Rock Pop Jazz | Key words: , , , , , , |

Some Remarks on the Study of the Repertoire of (not only) National Theatres

Sorry, this entry is only available in Slovensky. Abstracts are available in English.

Posted in: Music Theatre, Musicologica 2/2015 | Key words: , , , , |