Milí čitatelia, už dlhšiu dobu sme pociťovali potrebu vytvorenia internetového priestoru pre zverejnenie výsledkov a problémových okruhov členov Katedry hudobnej vedy a ich spolupracovníkov. Išlo nám o oslovenie širšieho okruhu čitateľov a poslucháčov prostredníctvom muzikologického jazyka a súčasne o propagáciu seriózneho bádania a vedy. Keďže hranice štátov padajú, existencia národností a národov ako svojbytného aktéra […]
The process of separation of sacral and profane music in the Czech Republic and Slovakia was different from other countries because of the Communist system, which promoted atheism in the years 1948 through 1989. New religious media, concerts and festivals, publishers and agencies with a focus on the sacral music began to shape their activities after […]
Je nám ľúto, táto položka je k dispozícii iba English. Abstrakty sú dostupné v angličtine.
World music, since its wider penetration into the music industry (1980‘s), has been developing in several directions. World renowned universities offer world music study programmes, which are centered around ethnomusicological disciplines with a practical performing class focused on traditional folk music from all over the world. Music publishers, periodicals and radio stations understand this phenomenon, either […]
The article deals with the history and organization of the International Flamenco Festival in Bratislava. Problems encountered by organizers of flamenco concerts are discussed in depth. The author of the article focuses on detailed history of the constitution of the festival and its programe conception and puts together a database of all the previous and current […]
Smash hit, evergreen, hit are terms that were used for popular songs in practice, while music theory employed the term nonartificial music and its subgenres. In German-speaking countries the terms U – Musik (Unterhaltungsmusik) Gebrauchsmusik, Alltagsmusik and popular music, Trivialmusik, Umgangsmusik with Darbietungsmusik were used. Our analysis of hits is focused on the period 1955 […]
Management of chanson represents an entirely different type of organization of music culture than is usual in other genres, since chanson is part of minor genres in Slovakia (minor genre is a Central European term; it refers to a quantitatively small group of listeners). We focus on its position among other genres in Slovakia and […]
The article depicts the publishing of new music titles – albums on CD, DVD – by Slovak music publishers. All the artistic steps, technical, economic and legal procedures, which the publisher in collaboration with artist, composer and performer must accomplish in order to qualify for state subsidies, or to become commercially successful, are described and […]